Catalogue of Works

Bass/Soprano flute, violin, trombone, percussion, and piano · 11 min

Written for the ArtHaus Ensemble as part of the third edition of the ArtHaus Composition Atelier (2025), this work explores extended techniques and unconventional modes of performance that emerged through direct interaction with the musicians during the workshop sessions. As a result, the piece was conceived specifically for the ensemble, with the exchange between composer and performers playing a central role in shaping its musical material. While the title alludes to the famous Doomsday Clock, the work approaches the idea from a more subjective perspective. Rather than referring to a literal end of the world, it evokes an inner collapse: the erosion of personal subjectivity and the experience of an internal ending.

Flute, saxophone (soprano/alto), violin, cello, piano, and electronics · 11 min

Grounded in the idea of overthrow and collapse, Stürzen unfolds through forceful sonic and gestural materials. Harsh resonances, expansive clusters continuously derived from saxophone sound processing, rapid exchanges of gestural figures between instrumental pairings, and the use of extreme registers converge to overwhelm and destabilize the listener’s perception.